![]() ![]() ![]() Private Ryan ends on a cathartic note, showing a veteran's family that wouldn't exist except for the sacrifice of his comrades. Band of Brothers provides an intimate portrait of soldiers developing bonds that let them survive challenging circumstances. In Private Ryan a group of soldiers try to tabulate the cost of conflict, and how much they owe others that wear the same uniform. Both provide convincing narratives about war and the human spirit. Saving Private Ryan and Band of Brothers are great cinema. The bonds forged during combat are a good story, but we've heard it before-and that's a problem. The word "camaraderie" cropped up so often on the announcement live stream that it became a gag.Īnd I understand whey they're employing that narrative. Once again, we see a story of a group of men who go through a difficult experience as they push into Germany, forging bonds of brotherhood. Which would be fine-except that from what we've seen, the themes of Call of Duty: WWII also flash back toward those Spielberg epics. ![]() Though the graphics are sharper than Spielberg's, and the light more distinct, the cues are still there. The Call of Duty: WWII trailer clearly draws from this well. Nevertheless, the visual cue that dim lighting and cold tones signify realism still haunts us to this day, appearing everywhere from the DC film franchise to grim and gritty FPS games. Indeed, Spielberg's new visual shorthand proved so popular that it became the go-to format for games that wanted to express how historical combat "really" looked-never mind that the soldiers who actually landed at Normandy saw its horrors in full color, not through desaturated film. The technique was so successful that Spielberg reused it for the 2001 HBO miniseries Band of Brothers as well as Medal of Honor, an FPS game developed as an extension of the brand. To recreate the feel of older camera technology, the cinematographer shot the action at a lower frame rate, stripped protective coating from the camera lenses, and ran the film through a bleach bypass to deaden the colors and add an element of fuzziness. ![]() Because Spielberg didn't want the action to come across as fake, he proposed that Private Ryan's visual style should look antique-more like newsreel footage or a documentary like Memphis Belle than a Hollywood film. ![]()
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